‘Hebridean’ Thrush - study from Carinish, North Uist
Last two days of the exhibition at One Tree Bookshop in Petersfield, Hampshire. Hope you can pop along and see a selection of the drawings from recent publications and collaborations with Donald S Murray and Isobel Dixon.
North Uist in November
One of the most important things I find I need as an artist is to regularly ‘feed’ my imagination and visual vocabulary, and one of the best ways to do this is by visiting the areas of the country that have an influence on the current and potential work I am producing. During 2018 I was fortunate enough to do this, having two visits to the Outer Hebride. Based at Taigh Chearsabhagh in Lochmaddy, I spent the weeks visiting my favourite sites on North Uist, and travelling to the neighbouring islands of South Uist and Benbecula, and to the Isle of Skye.
The Scottish islands can not fail to inspire an artist’s creativity, with endless layers of stunning landscapes, history and fascinating wildlife. This is where you realise that on such a short visit you can only scratch the surface. My sketchbooks are filled with notes, sketches and ideas for potential new works, and collecting references and images for work in progress, such as the ‘Birdfall’ collaboration with my dear friend Donald S Murray.
Turnstones
A perfect example of this was on several visits I made in June to the RSPB nature reserve at Balranald, on the west coast of North Uist. The Uists are an excellent venue in the between the spring and summer months to watch the migration of bird species heading to their breeding grounds in the Arctic regions.
The beach at Traigh Iar that day was teeming with migrant wader species feeding and refuelling on their epic journey north, with hundreds of Turnstones and Sanderlings in their striking summer plumages, darting to and fro timing their runs against the breaking of the waves. having the opportunity to see these wonderful birds and observing their behaviour and moments helps me to depict them more naturally in the images I am creating, the beautiful details of the bright summer plumages and the way the birds dance and move on the sands. This working knowledge and insight is invaluable to me as an artist in making my work and trying to share the experience of seeing these birds with the visitors to the exhibitions or readers of the books.
Looking towards South Uist from the St Kilda Viewpoint.
From the viewpoint on Cleitreabhal a Deas, I could see across Sound of Monach to the Islands of St. Kilda, the remote Atlantic islands that have had a major role to play in my recent working life, allowing me to pay my own respects to Hirta, Boreray, and the long departed people and natural beauty of these wonderful islands which have fuelled so many ideas and images over the last ten years.
And the trips too gave me a chance to visit new areas and explore more aspects of these wonderful Hebridean islands. November’s visit allowed me the opportunity for my first proper visit to South Uist (I’d passed through briefly in the past) and again a wealth of ideas and images flooded in to my imagination and sketchbooks. One trip with Donald to the remote old steamer pier at Loch Sgioport was breathtaking, with the stunning landscape and sea views enhanced by being accompanied on our journey by close fly-bys of Hen Harriers and Merlins, making this even more evocative and inspiring.
The old steamer pier at Loch Sgioport, South Uist
I’m currently back in my studio in Hampshire, working with the notes and stories collected in the sketchbooks, and dreaming of my next trip to the Hebrides. Not too long I hope!
Blue Whale skeleton ‘Hope’ at the Natural History Museum, London
For the first time in a very long time, I had a trip to the capital to do one of my favourite things, visiting museums and researching new work with one of my dear friends and collaborators, poet Isobel Dixon.
Next year, 2020, will be the one hundredth anniversary of D H Lawrence writing the poems that were to become the collection ‘Birds, Beasts and Flowers!’ These poems include some of Lawrence's finest reflections on the 'otherness' of the non-human world. Lawrence started the poems in this collection during a stay in San Gervasio near Florence in September 1920. He continued working on individual poems in Taormina (Sicily), Ceylon (now Sri Lanka) and Australia before completing the book in February 1923 while staying in New Mexico. Many of his most famous and much-anthologised poems like ‘Bats’, ‘Snake’ and ‘Mosquito’ come from this collection.
D H Lawrence’s original painted cover
In the course of this long-term project Isobel and I are responding to Lawrence’s poems in various ways, and to each other’s work as a result of this contemplation and ‘conversation’ with the themes of travel, encounters with nature, our identity, mortality, sexuality and otherness. There are elements of response, renewal and rebuttal to Lawrence’s work in their approach.
‘Basking Shark’ for Birds, Beast and Flowers
Looking around such a wonderful resource such as the Natural History Museum can help, not sparking new ideas, but can often help resolve images and poems that have been sitting in the notebooks for a long period. Many artists and writers through the years have drawn inspirations from the fantastic collections of art and artefacts we have at our disposal in our nations thousands of museums and galleries.
Over the next few months we’ll be developing ideas and collection our own selection of written and visual treasures to be viewed, and hopefully move and inspire, audiences around the country.
Watch out for future post featuring the work from our Lawrencian collaboration.
As part of Book Week Scotland and the Uist Book Festival, Donald S Murray and I will be talking about our latest collaboration, ‘Birdfall’, at Taigh Chearsabhagh Arts Centre and Museum in Lochmaddy, North Uist.
This event marks the completion of nearly three years of work to produce this book, and the accompanying exhibitions.
The latest edition of High Window poetry magazine is now available free online. This issue features the latest post as part of my 2018 artist in residence series, with images and poems from my collaboration with my dear friend and collaborator Donald S Murray.
Hope you can take some time to browse the magazine and read some of the fine work by wide range of poets, all expertly edited by David Cooke and Anthony Costello.
Click here to view the Birdfall feature and access the rest of the magazine.
Excellent to get an extract from Donald's new book, The Dark Stuff, in the I newspaper. And great to to see that my drawings reproduced well in newspaper form, as I am always aware of the limitations of printing when it comes to reproducing fine pencil drawings.
